Thursday, August 30, 2012

New Morning Glory track streaming (Members of Leftover Crack/Choking Victim)‏


Fat Wreck Chords press release

Stereokiller is premiering “Life’s a Long Revenge”, a brand new song from MORNING GLORY’s upcoming Fat debut, Poets Were My Heroes, out August 28th. Pre-order your copy and then read what drummer Early Gates had to say about the song:

“This was another really fun song to record! Ezra had mentioned that he wanted to try to use drum sticks (rather than hi hats, or snare rim knocks) to keep the rhythm during the verses, so we tried a few different approaches. First we tried to tape a drum stick to a cymbal stand, but it kept getting lose and falling. Then we tried to attach the stick to a mic stand. It had the same problem. Also, it just didn’t have a nice warm sound. Our final solution was Ezra standing there holding one drum stick with both hands. It had the perfect recoil and sound that we were looking for. For live shows I’ve schemed a way to hold one drum stick out to become part of the drum kit. I also did the rocking whistling solo on this track.Since it’s hard to walk and chew gum (and drum and whistle) at the same time, we been having kids do the whistling at shows.”

Wednesday, August 22, 2012

Reverend Peyton’s Big Damn Band Debuts Omen-esque Video For “Devils Look Like Angels”


Western Publicity Press Release: Heather West, Western Publicity, westernpublicity@gmail.com


“I thought it would be funny to have a little girl with my voice. Plus, it shows that sometimes mean things can come in pretty packages. You just never can tell.” The Reverend Peyton says about his bands new “Omen-esque” video for their lead single “Devils Look Like Angels.”
Directed by Kevin Custer (The Gaslight Anthem, Hatebreed, Lil Wayne) and shot in Bloomington, IN, the bands 8 year old fan Elsie McNulty cleverly depicts the true lyrical essence behind “Devils Look Like Angels.”
“Devils Looks Like Angels” comes from the bands new album Between The Ditches , which debuted at #1 on the iTunes Blues chart this week. The Big Damn Band is currently on a full headlining U.S. Tour doing what they do best, blowing people away with their incendiary live show. You can check out the video via the YouTube link below, as well as see a full list of the bands headlining tour dates.

Click here to see the new video: http://youtu.be/sRWMwpPlm28


Reverend Peyton's Big Damn Band plays a brand of Americana and Blues that stands alone - Delta blues and hillbilly fervor combine with musical acuity sharp as razor wire - best know, this trio is a force to be reckoned with.

Their fifth album celebrates the growl of a good truck engine, the fiercest passion for their country home and the importance of family. The an uncanny ability to breathe new life into old forms of music give the Big Damn Band a pedigree many Americana acts would kill for and an ironclad work ethic keeps them on the road playing for the people with hurricane force. Locked in with an audience, the band create their own community and welcome the crowd into it, transporting them away from their troubles to joyous release, the way great musicians have done for centuries. The Rev. J. Peyton, his wife Breezy and distant cousin Aaron "Cuz" Persinger are a living breathing embodiment of the traditions and hard work ethic native to their Brown County, Indiana home.

With a reputation for their incendiary live shows well established, The Big Damn Band set out to make the album that would finally capture the same heat. Recorded at White Arc Studio in Bloomington, Indiana, the album was produced by The Rev. Peyton and Paul Mahern (John Mellencamp, Iggy Pop) and mastered by Brian Lucey (Black Keys, Dr. John, Shins). For previous albums, the band had recorded live, straight through in the same mode as a live show. Between the Ditches came together more slowly, with care. “We approached it saying we were going to make a record this time, not just a recording,” explained the Rev. He used a different guitar set up on almost every track, employing two ‘30s National guitars, a cigar box guitar, a custom shop Gibson flattop 1929 L2 and an Airline map electric guitar. The primary amps are custom Weber amps made by Weber speakers – both are one of a kind.

Between The Ditches features a new level of craftmanship in both recording technique and songwriting. The Rev. feels that it's their best album to date."I'm very proud of this album, the songwriting and the playing." The guitar playing alone should put the Rev. in the same class with his much revered idols. The songwriting boasts an added maturity and runs the gamut in subject matter from the barn burning, tongue in cheek, “Shut the Screen”, (where "It’s too dang hot and the bugs are too dang mean") to the evils of strip mining, an issue close to the hearts of this Indiana born and bred band in “Don't Grind It Down”. There seems to be a theme expressed throughout the album and stated clearly in their first single,“Devils Look Like Angels”: "Devil don’t live down in hell, the devil’s right here doing very well".

This band is fun sure, a lot of fun, but they are for real. From virtuoso musicianship to great songwriting, Between The Ditches has got it all. All from a little Brown County, Indiana band that's got the nerve (and the right) to call themselves Reverend Peyton's Big Damn Band.


Reverend Peyton Big Damn Band On Tour

8/23/12 Grand Rapids MI Billy’s Lounge
8/24/12 Traverse City MI Brewfest
8/25/12 Traverse City MI Brewfest
8/31/12 Kansas City MO Crossroads
9/2/12 Cookeville TN Muddy Roots Fest
9/6/12 Harrisonburg VA Clementine Cafe
9/7/12 Roanoke VA Growlers
9/8/12 Norfolk VA Norva
9/11/12 Asheville NC Jack of the Wood
9/12/12 Athens GA GA Theater
9/13/12 Atlanta GA Smith’s
9/14/12 Bristol TN Rhythm and Roots fest
9/15/12 Terre Haute IN Blues at the Crossroads
9/17/12 St Louis MO Firebird
9/19/12 Houston TX HOB Peacock
9/20/12 San Antonio TX Sam’s Burger Joint
9/21/12 Fort Worth TX Live Oak
9/22/12 Austin TX Stubbs Jr late show
9/24/12 Tulsa OK Mercury Lounge
9/25/12 Hot Springs AR Maxine’s
9/26/12 Fayetteville AR Blues, Bikes, and BBQ
9/29/12 Belfast IRE Empire Music Hall
9/30/12 Cork City IRE Crane Lane Theatre
10/1/12 Dublin IRE The Button Factory
10/6/12 Katowice POL Rawa Blues Festival
10/10/12 Avesta SWE Garaget
10/12/12 Oslo NOR Herr Nilsen
10/15/12 Bristol UK The Tunnels
10/16/12 Wolverhampton UK The Robin 2
10/18/12 London UK Monto Water Rats
10/27/12 Salt Lake City UT State Room
10/30/12 Boise ID Neurolux
10/31/12 Bend OR Annex
11/1/12 Eugene OR
11/2/12 Portland OR Dante’s
11/3/12 Seattle WA Tractor
11/6/12 San Francisco CA Bottom of the Hill
11/9/12 Los Angeles CA Mint
11/13/12 Tucson AZ Club Congress
11/14/12 Phoenix AZ Crescent
11/15/12 Flagstaff AZ Green Room
11/16/12 Santa Fe NM Santa Fe Sol
11/17/12 Denver CO Bluebird
11/23/12 Indianapolis IN Vogue
11/24/12 Cincinnati OH Taft Theater Ballroom

For More Information visit www.bigdamnband.com

Thursday, August 9, 2012

DEEP ELM RECORDS SIGNS "THE DANDELION WAR" FROM OAKLAND, CA

Deep Elm Records press release:

Deep Elm Records has signed ambient post-rockers THE DANDELION WAR from Oakland, CA. Deep Elm will release their new 10 track album "We Were Always Loyal To Lost Causes" worldwide on September 12, 2012. The band previously appeared on Chapter 12 of Deep Elm's long-running compilation series The Emo Diaries (http://www.deepelm.com/emodiaries) and released their debut "Geometries And Orchids" in 2010. THE DANDELION WAR is Larry Fernandez (vocals), Mikey Fuson (guitar), Jeff Kay (guitar, keyboards), Julius Masibay (drums) and Chris Strebel (bass).

Monday, August 6, 2012

Bob Mould premieres "The Descent" the first single from Silver Age- stream it now


Merge Records press release:

Bob Mould will release Silver Age, his first album of all new studio material since 2009’s Life And Times, September 4 on Merge. The new record features Bob's current band--drummer Jon Wurster (Superchunk, the Mountain Goats) and bassist Jason Narducy (Split Single, Verbow)--on 10 brand new Mould compositions in the punishingly loud melodically sparkling pop/rock vein of the Sugar catalogue which was reissued via Merge on July 24.

Stream “The Descent,” the first single from Silver Age now

Where the current run of Bob Mould Plays COPPER BLUE dates commemorates the 20th anniversary of the 1992 release of Sugar's debut Copper Blue with Bob and the band playing that record in its entirety, Bob's fall dates supporting Silver Age will be more elaborate affairs: Copper Blue will still be played front to back, however an additional set and encores mixing the new Silver Age material with Husker Du, Sugar and Mould solo classics will complete the evening. In addition to the previously announced Copper Blue/Silver Age tour dates in the fall, Bob has also announced a date at the historic El Rey Theatre in Los Angeles on October 30.

Find photos and bio information at Bob's press page. To request music, contact perri@nastylittleman.com or christina@mergerecords.com.

"a punk legend....succeeding beyond his and anyone's expectations" - Pitchfork

Bob Mould on tour:
Aug 06 Helsinki, FI – Tavastia (Bob Mould Plays COPPER BLUE)
Aug 08 Oslo, NO – Øya Festival (Bob Mould Plays COPPER BLUE)
Aug 09–11 Gothenburg, SE – Way Out West 2012
Aug 11 Amsterdam, NL – Paradiso Grote Zaal (Bob Mould Plays COPPER BLUE)
Aug 13 Codroipo, IT – Villa Mainin w/ Foo Fighters (Bob Mould Plays COPPER BLUE)
Aug 15 Prague, CZ – O2 Arena w/ Foo Fighters (Bob Mould Plays COPPER BLUE)
Aug 16 St. Polten, AT – Frequency Festival (Bob Mould Plays COPPER BLUE)
Aug 18 Hasselt, BE – Pukkelpop Festival (Bob Mould Plays COPPER BLUE)
Sep 07 New York, NY – Webster Hall (SILVER AGE/COPPER BLUE show)
Sep 08 Washington, DC – 9:30 Club (SILVER AGE/COPPER BLUE show)
Sep 10 Boston, MA – Paradise (SILVER AGE/COPPER BLUE show)
Sep 11 Philadelphia, PA – Union Transfer (SILVER AGE/COPPER BLUE show)
Sep 13 Chicago, IL – Metro (SILVER AGE/COPPER BLUE show)
Sep 15 Minneapolis, MN – First Avenue (SILVER AGE/COPPER BLUE show)
Sep 18 Seattle, WA – Showbox (SILVER AGE/COPPER BLUE show)
Sep 19 Portland, OR – Wonder Ballroom (SILVER AGE/COPPER BLUE show)
Sep 21 San Francisco, CA – The Fillmore (SILVER AGE/COPPER BLUE show)
Sep 23 Pensacola Beach, FL – DeLuna Fest (Bob Mould Plays COPPER BLUE)
Oct 30 Los Angeles, CA – El Rey (SILVER AGE/COPPER BLUE show)

Friday, August 3, 2012

ONE MAN ARMY RETURNS WITH SHE'S AN ALARM EP OUT AUGUST 28 ON ADELINE RECORDS FIRST NEW MATERIAL SINCE 2004 LISTEN TO "I.T.I.A.L.S." NOW AT PUNKNEWS.ORG




ONE MAN ARMY RETURNS WITH SHE'S AN ALARM EP OUT AUGUST 28 ON ADELINE RECORDS FIRST NEW MATERIAL SINCE 2004


East Bay-area punks One Man Army will make a triumphant return with the release of She's An Alarm EP, out August 28 (Adeline/ILG). The 4-song EP is the band's first new material since 2004 and marks their return home to Adeline Records. Mastered by Mass Giorgini (Rise Against, Alkaline Trio, Screeching Weasal), the EP features some of their most ambitious material to date.



Listen to the opening track, "I.T.I.A.L.S.," exclusively at PunkNews.org:

http://www.punknews.org/article/48236/one-man-army-itials-exclusive



In tandem with the EP release, Adeline Records will also be releasing One Man Army's first two records digitally for the first time: their 1998 debut album Dead End Stories and 2000's Last Word Spoken.


She's An Alarm EP will be released digitally as well as on 7" vinyl. The initial pressing for the 7" is 1,000 records split between two colors: 700 Neon Green and 300 Neon Pink. The Neon Pink version is available exclusively at Interpunk, and the Neon Green version is available through Adeline Records. A limited edition bundle is also available, which includes a t-shirt.


One Man Army is Jack Dalyrmple (Vocals, Guitar), Brandon Pollack (Drums) and Heiko Schrepel (Bass, Vocals). Originally formed in 1996, they were the first band to release a record through Billie Joe Armstrong's Adeline Records with their 1998 debut Dead End Stories. The band released two more LP's, 2000's Last Word Spoken (Adeline) and 2002's Rumors and Headlines (BYO Records) before disbanding to form Dead To Me.



She's An Alarm track-listing:
I.T.I.A.L.S.
Plastique
Any Minute
Hung Up

Adeline Records:
http://facebook.com/adelinerecords
http://twitter.com/adelinerecords

One Man Army:
http://facebook.com/onemanarmysf
http://twitter.com/onemanarmysf

Wednesday, August 1, 2012

Quicksand’s ’93 Major Label Debut ‘Slip’ to be Reissued by ShopRadioCast on Limited Edition Gatefold Vinyl


Earshot Media press release:

On September 11, 2012, ShopRadioCast will release the first official vinyl reissue of Quicksand’s major label debut, Slip, since its original pressing in 1993. The album from the 90’s NYC post-hardcore band fronted by Walter Schreifels (Gorilla Biscuits, Youth of Today, Rival Schools) is re-mastered and pressed on limited edition 180 Gram vinyl and housed in a gatefold jacket which includes a Euro inner sleeve.

Vinyl Colors:
First Pressing
180 Gram Red/ Black Swirl (LTD 500) - Shop Radio Cast Exclusive
180 Gram Green/ Yellow Swirl (LTD 500) - Shop Radio Cast Exclusive
180 Gram Black (LTD 500) - Dine Alone Records Exclusive

Track Listing:
Fazer
Head to Wall
Dine Alone
Slip
Freezing Process
Lie and Wait
Unfulfilled
Can Opener
Omission
Baphomet
Too Official
Transparent
How Soon Is Now? (The Smiths cover)

ShopRadioCast is an online store specializing in new and limited run vinyl records. www.shopradiocast.com